"The WPA has been an undeniably huge influence on the melding of beautiful design and screen printing ever since Anthony Velonis pulled his first squeegee. For us, the most impressive aspect of WPA posters is their economy of color. This poster, made to promote the Flatstock rock poster convention in Seattle, is an attempt at that same economy (with the addition of a masturbatory gloss varnish print of raindrops over the top). The concept itself is pretty lame: poster in Seattle (rain + paper) = soggy poster; the fun was in trying to pull it off with as few colors as possible."